Interview with Ottobrenero, Progressive Death Metal Band from Italy
Ottobrenero is Prog Death Black Metal Ban from Milan, Lombardy, Italy. They're Walter - Bass, Vocals, Daniele - Drums, and Virgilio - Guitars. Virgilio gave us some information. Check it out.
Tell us about Ottobrenero?
Technically,
we started playing in 2012, when long time friends Daniele, Walter and Virgilio
gathered and came up with a list of covers. You know, that way you to get to
know each other, musically speaking. The selected songs included both
aggressive death metal songs and slower and melodic tunes, like Cathedral's
"Midnight Mountain". Things were going OK, a few songs were in the
works but then I had to move abroad for personal reasons. I came back to Milan
after a few years and immediately called the others: we had to unbury the
project. I started working right away on new material and in a few months more
than 10 songs had been written.
What are lyrical themes of Ottobrenero?
Our
songs tend to differ from each other both instrumentally and thematically. What
usually happens is that I hand some roughly recorded music over to Daniele who
lets himself be inspired: sometimes the song's mood would suggest him a
subject, like "this song should really talk about one of those space colonies
from Asimov's books". Some other times, he would come up with some nice
sounding metrics and words first, and eventually tailor the rest around them
until all follows a consistent thread. From this approach were born songs about
extraterrestrial life, archaeology, ancient magic and folklore, space and void
and their inconceivability. They often hide references, if not critiques, to
much more mundane and earthly themes, in form of allegories. I really think
Daniele did an amazing job with those words.
What are your influences?
This
could turn out to be quite lengthy! Well, in terms of songwriting, it's quite
obvious that we are greatly influenced by the colossi of Italian progressive
rock, as we owe our very name to Area's 1973 song "Luglio, Agosto,
Settembre (nero)" [July, August, September (black)]. I can't forget about
other great acts from our musical culture like Franco Battiato or Il Balletto
di Bronzo, whom have been mentioned as influences by famous and foreign bands
such as Opeth, too. Then, we threw in the mix some our all-time-favourites,
Killing Joke, King Diamond, Voivod, Type 0 Negative, Rush and something more
modern and extreme like Enslaved, Nevermore, Emperor, At the Gates, Meshuggah,
etc. You'll be the judge of its quality, but how we managed to squeeze all that
stuff in one single record is pretty hilarious.
We
looked for something that could depict what's expressed in our lyrics. Time and
space could be seen as a massive, eternal and mysterious stone statue of which
we know next to nothing, surrounded by yet more endless plains where the
unintelligible lies. Or more simply, we just thought my photoshop composition
looked cool and the colours were jazzy.
How were the songs written?
The
process usually starts with me having idea about a catchy arpeggio or riff, I
play a lot with my classic guitar and that's where most of our songs
originated. Once I was on a public bus, and in order not to forget something I
had to hum it and record it with my phone, while trying not to look like an
idiot. These basic ideas are then transferred to my electric guitar, recorded,
shared with the others and discussed. Then I write an actual score where I
imagine what the structure could be, usually during a sleepless night. Next
stage is where the whole band sits and thinks if the lyrics fit the music and
decides wether it lacks something or needs trimming or improving. Then comes
Walter, who tries to apply the fittest vocal register to our creation. He is
quite a versatile singer and enjoys swapping different styles, as per our
influences.
How did the recording process go?
Once
all is decided and we're all happy, we get in our home studio, put the click on
and record all the necessary tracks, hoping for my baby daughter not to barge
in and shout during that best vocal take. Mercurio was for the greater
part created in one single room, where I eventually mixed and mastered
everything.
What are your future plans?
The
band is currently busy with promoting and spreading Mercurio, trying to reach
as many listeners as possible. As I said, we did literally everything by
ourself, there were no producers, no studio engineers, no money was invested
except for instruments and software: this album is the result of an immeasurable
amount of effort, copying with our daily jobs and stuff, so even reading a
complete stranger praising it on our Facebook page means a lot to us. I
secretly yearn for some spare time to start writing new songs, there are a ton
of things I would like to experiment and so little time, sadly.
Are there any countries you’re interested in touring or performing in? Why?
You
touched a raw nerve. For the same reason it took so much time and effort to
complete the recordings, we are currently unable to even think about touring.
It is definitely something I would do right away, should the planets align.
Maybe, without aiming so high, we could start with local gigs and see how
things go. The three of us all have very different jobs, with different times and
shifts, so we'll need some luck, too. If we are talking dreams, then, I believe
I would enjoy a south American tour, they're so passionate about extreme music,
it's insane.
What bands would you like to play alongside?
Well,
Slayer! One can always dream, right? All kidding aside, of all the recent bands
I came across, Vektor has really grown on me. I love daring artists and Vektor
surely knows how to crush a stereotype. In their "Charging the void",
towards the end, some sort of female soul choir abruptly surges through the mix
while they're screaming and shredding and blasting the drums. I remember
thinking "what the **** were these guys thinking? How could they even
consider...this is brilliant!". So, yeah, my pipe dream as a musician
would be to play along those fellows.
Any last words?
I'd
like to thank you for sharing your time with me and hope you'll love our album.
I thank my bandmates, my patient girlfriend and that guy that sold me my ESP
guitar back in 2004 so cheap. Cheers, ciao!
Ottobrenero:
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