Interview with Sacrimonia, Symphonic Black Metal Band from Poland
Sacrimonia is Symphonic Black Metal Band from
Warsaw, Poland. They’re Filip Gawlak - Bass, F. S. - Drums, Jakub Zgorzelski -
Guitars, and Kamila "Lasaira" Grabowska-Derlatka - Vocals. Lasaira
and Jakub gave us some information. Check it out. J = Jakub and L = Lasaira.
Tell us about About Sacrimonia
J: The idea of the band goes back to
2014; that was the time I started writing the music for the EP. However, until
the beginning of 2015 there were constant line-up changes, so all in all we
might say that the band was actually established in February 2015.
L: It's a fantastic band and we are all good friends. It is also very special because we differ very hard from each other and all we do is a fusion of all spectrum of our colourful personalities. It's great to see how common hard work slowly bears fruit.
What are lyrical themes of Sacrimonia?
L: While writing lyrics I usually mix
my own life experience with literature I read. On the "New World
Ascension" CD lyrics strongly refer to Goethe's, and Bulhakov's works,
like "Faust", "The Erlking" and "The Master and
Margharita" but also slightly to other writers.
What are your Influences?
J: Our inspirations are quite varied. Apart from the pretty obvious ones, such as Dimmu Borgir, Emperor, Cradle of Filth and other symphonic black metal bands, each of us is influenced by different music genres: classical/soundtrack music, old school hard rock and heavy metal, all sorts of gothic stuff, some acts labeled with "post" or "progressive" tags and many more.
J: Our inspirations are quite varied. Apart from the pretty obvious ones, such as Dimmu Borgir, Emperor, Cradle of Filth and other symphonic black metal bands, each of us is influenced by different music genres: classical/soundtrack music, old school hard rock and heavy metal, all sorts of gothic stuff, some acts labeled with "post" or "progressive" tags and many more.
L: Everything I listen to makes me
inspired. As J. said, we do not only listen to black metal, and even not only
metal. There are days I can go from Russian ballet through Gorillaz, TMR,
finishing with all kinds of metal stuff. While writing lyrics and arranging
Sacrimonia's vocals I am hugely inspired by all sort of post and DSBM things,
such as Psychonaut 4 or Shining, but also by doom jazz like Kilimanjaro
Darkjazz Ensemble. It's incredible how all music genres mix together and make
you a unique musician and a unique band you want to be.
How did you choose the Cover artwork?
J: The artwork was designed by Piotr
Szafraniec and his Archart Design company, whereas the photo appearing in the
inlay was taken by Aleksandra "Krucza" Burska. As far as the image on
the cover is concerned, the idea of a decapitated statue popped up quite a long
time ago, for the EP of my previous band actually. However, the EP was never
finished and the band split up. The idea remained nevertheless, we thought it
might fit the ambiance of the title, and when Piotr sent us his interpretation
of the concept, we knew it was what we were looking for.
How were the songs written?
J: I started gathering ideas for the
songs in January 2014, however they were evolving with line-up changes. Anyway,
the line-up stabilised in February 2015 and the songs were finally finished in
June 2015. That was also the moment when Kamila finished her lyrics.
L: Yes, I usually think before about the main
themes of the song and when I have a ready music piece I write the lyrics and
think about vocals. It's important for me to express the words I sing with the
way I sing, so there is also a matter of suiting the vocal techniques to every
small line of my lyrics.
How did the recording process go?
J: The recordings took place during the fall
of 2015 at Invent-Sound Studio in Bydgoszcz, Poland. Our engineer and producer,
Szymon "Sigmar" Grodzki, was a guitar player for the band Sammath
Naur - in their early days they used to play symphonic black/death metal, so we
knew he would "feel" our music, and that was very important for us.
The recording itself was a lot of fun - Szymon is a cool guy, so the whole
process was absolutely devoid of any stress. He also suggested a few ideas
concerning the arrangement of the songs and, as we checked them out, they
turned out to be better than ours, so we may say that he contributed to the
musical side of the EP as well.
What are your future plan?
J: Basically we would like to do some touring
and promote the EP. We are also gathering ideas for some new material, however
we cannot estimate how long will it take us to finish it. We can promise though
that we will not release anything we are not fully satisfied with, so we will
deliver you the best music we can come up with, no matter how long it takes us.
Are there any countries you’re
interested in touring or performing in? Why?
J: We would like to play everywhere
people would want to see us, I guess there aren't any specific countries. As
long as a gig in country X is possible (and makes sense) logistically, we would
like to perform there.
L: In Europe I would be happy to play
in Germany, France or Czech Republic. But I would also like to go with our
music to other continents and maybe hit the american countries like USA, Canada
and Mexico. It would be also a fantastic experience to play in Asia, for
example South Korea, Japan or China.
What bands would you like to play
alongside?
J: Naturally we would like to play
alongside big black metal names, especially those representing more melodic
approach to the genre. It would be cool to share the stage with bands such as
Dimmu Borgir, Cradle of Filth, Carach Angren, SepticFlesh or, since they are
reuniting for a series of gigs, Emperor.
L: Oh yes, Carach Angren, SepticFlesh
and Emperor. I would love to add Satyricon and Behemoth here. But my biggest
dream (and the reason I started to play an instrument, sing and make my own
music as a younger teenager) will always be Iron Maiden.
Any last words?
L: Thank you for the interview, it was
a pleasure talking to you!
J: Yes, and thanks for the support!
Sacrimonia:
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