Interview with Kashgar, Black Metal from Kyrgyzstan
Kashgar is Black Metal Band from
Bishkek, Kyrgyzstan. Blauth, Ars and Warg gave us some information abouth
Kashgar and Metal scene in Kyrgyzstan. Check it out. B: Blauth, A: Ars and W: Warg
Tell us about Kashgar?
Blauth: Kashgar was
founded in the winter of 2014. The three core members, Warg (bass), Ars
(guitars), and myself Blauth (vocals/drums) began writing immediately. Ars and
Warg have known each other for a long time; I was introduced to Ars via another
guy named Spider, who was originally going to be the drummer, but then decided
not to when he heard how heavy we wanted to play. We wanted to have an unique
approach to the music, not quite fitting into the speed, black, death, or
progressive category. We now have two new members, in Alex (drums) and
Max (guitar).
Ars: I think it was November
2014, our first practice. Several riffs that we used later in Erlik and
Albarsty were written that day. For quite a while we couldn't find a decent
line-up, so Blauth had to remember his drumming skills. We even thought he
would have to do both vocals and drums at the same time, but he's finally free
from that obligation and is now terrifying the audience, running around the
stage with a horse-skull and a whip in one hand, and a mike in another. Pretty
scary. People call him "demoniacal Shaman". That's pretty much what
the band's act is about - dark, brutal, electro-shamanistic performance of
audio-vandalism!
Warg: For me Kashgar is a
chance to return to my metal roots, back to 90's, when there was a rather big
metal-scene in Bishkek.
What are lyrical themes of
Kashgar?
B: The lyrics focus primarily around dark Kyrgyz
folk tales. Dark spirits of the mountains, ancient Gods of the traditional
religion of the Kyrgyz, which is known as Tengri. The religion is still
practiced in some corners of this land, and more so in Kazakhstan, Mongolia and
Altai. There are quite a few allusions to the Manaschi art as well. We turn
most things on their heads, however.
What are your influences?
B: My influences are mostly
70s/80s/early 90s black, death, speed and heavy metal, as well as a healthy
smattering of punk and other musics. I grew up in the 80s when metal was really
at its apogee. I was fortunate enough to have seen many of the classic bands
when they were still at their prime: Sepultura, Deicide, Nuclear Assault,
Napalm Death, Exploited, etc. In the mid-80s I got into heavy metal through
Iron Maiden, Guns n' Roses, Slayer and Metallica; and then quickly discovered
Misfits, Venom, Celtic Frost, Bathory, and so on. As the "scene"
expanded, I continued to delve into heavier music, and eventually in maybe 94
discovered Emperor, Beherit, Enslaved, Burzum, Impaled Nazarene, Dissection,
and so on. I lost interest in the scene in around '96 when things started
becoming stale, but I have since found a few good bands in recent years: Beherit,
Antaeus, Desecresy, Thou Art Lord, Celtic Frost, Sammath, Destroyer 666 are
bands who come to mind as having put out material of good quality in the last
decade or so.
A: 60's - 70's classics:
Beatles, Pink Floyd, King Crimson, Jethro Tull. Early 90's metal, including
Sepultura, Samael, Obituary, My Dying Bride, Anathema, Paradise Lost. Tool - of
course. Recently I was impressed by Mayhem, Demilich and Sun O))) live acts. I
also enjoy some experimental jazz and art/prog pearls such as Gordian Knot, David
Torn, Trey Gunn, Riverside.
W: Napalm Death, Samael, Sargeist, Disbelief, Pig
Destroyer, Satanic Warmaster, Death, Longing for Dawn. Oh, and Portishead.
Can you tell us about Metal
Scene in Your Kyrgyzstan?
B: Pretty empty. I would say
that we're the only active metal band around. Our new second guitarist, Max,
did have a thrash metal band called Panzer Bulldozer some years ago, and we
actually performed together the other night. I don't know whether they are
fully re-formed or not. Overall, there are many more metal acts over the border
in Kazakhstan. Here in Bishkek there are a few grim souls who listen to metal.
They're mostly quite young. As I think that I said somewhere else, I think that
there may be around 40 people who listen to actual metal, as opposed to Nu
Metal or Core Metal or whatever they're calling it today.
A: It used to be much bigger in late 90's -
lots of really good bands, like Necronomicon, Neocrima, Odyn's Nocturnal North, Extremistic
Negative Clan, Infernus, Ellodia (Warg and Alex played in some of those) and
regular metal acts in 2 of the only underground rock-clubs in Central Asia of
that time. Now there is only one rock-club in Bishkek and they prefer lighter
bands there, though metal shows also happen from time to time - mostly the same
2-3 young "something-core" bands, Kashgar and sometimes a guest band
from Kazakhstan - we played a gig with great thrashers Zarraza from Almaty this spring. There are a
couple of metal bands like Panzer Bulldozer, which kinda still exist but almost
don't play live.
Do you know Darkestrah? What do
you think about Darkestrah?
B: Darkestrah were here before,
but they've moved on to Germany, so we are holding the flame.I actually began
writing the folktale lyrics before I even knew of Darkestrah, so I was a
bit disappointed to discover that they exist. In any event, our music styles
are very different. I believe that Warg played with an early lineup of Darkestrah,
so I'll let him tell the tale.
W: We shared the stage in 90's
with Asbath and Kriegtalith. I started with the band named Extremistic
Negative Clan, and later played with Asbath in Necronomicon and Odyn's Nocturnal North.
He's a great musician, we used to spend a lot of creative time together. They
formed Durkestrah in 99, recorded a demo and were lucky enough to get signed
after moving to Germany with Kriegtalith. I listen to their each and every
release, they've been very productive so far. Good records, professional
approach.
A: Alex and Warg were friends
with Asbath and Kriegtalith. I didn't know them well back then, though I was at
several shows of their former bands. Durkestrah's music is very solid and epic.
They keep up with good-old traditions of black metal, while implementing lots
of Kyrgyz folk instruments and motifs into their songs. It sounds interesting
and ear-catching, though we decided to use a different approach from the very
beginning.
How were the songs written?
B: What generally happens is
that Ars will start throwing around riffs with whichever temporary guy we may
have had (there were three other guitarists at least who played with us
throughout the year). I then try and drive the tracks as I see best. I wrote
the percussion for the album, although we did have a temporary guy actually
record four of the tracks on the album. Generally there are a lot of arguments
and strife as we try and craft a track. It's not the easiest process in the
world. I think that we probably throw away dozens of riffs in the creation of
each track.
A: Some of the best ideas were also brought
in by Warg and our former guitarist Mike. Usually it takes a long time to reach
a consensus about the track. Sometimes we'd change some parts even after they
were already recorded. That's because we all come from different musical
backgrounds, but that is also what makes it interesting about our music, I
suppose. Most of the songs were written in our studio, with Blauth behind the
drums and me with Warg trying to invent something that would satisfy everyone.
It took us several months to finish our shortest track - Scent of Your Blood!
But once the music is done, Blauth starts writing the lyrics and and vocal
parts, we polish it together and work out second guitar's parts. And then we
try to record a demo to hear the whole picture.
How did the recording process
go?
B: The recording process was a
real pain in the ass. It was Ars' first shot at recording in this manner, and
so it ended up taking a lot longer than we expected. We actually began in the
summer of 2015, when our guitarist Mike was still with us. I think that Ars
laid down many of the tracks that Mike was on in a couple of long sessions.
Then the band was essentially dead through the autumn, and we revitalized it
just before losing that temporary drummer. Ars and I became serious about it in
December, and it was done in early January of this year. Then there was a long
period of mixing, when Ars tried to achieve his perfectionist's goals... And finally
we gave it over to Achilleas of Varathron and Crown Audio Conspiracies for stem
mastering. He did a really great job; we're very happy with it.
A: The whole album was recorded
in our own Base studio. The thing was to go through the whole process by
ourselves, and I'm rather proud of the result. There are no pro-level studios
for extreme recordings in Kyrgyzstan, so we didn't have much of a choice, and
decided not to depend from anyone in this. Most of the guitars were recorded
with 2 dynamic microphones into Marshal 1960 Lead 4x12 cab with Peavey 6505+
head. Sometimes I used Marshal 1960 Vintage and a condenser mike to better
differentiate the sound. We used our Yamaha Tour Custom drum-set and recorded
it into 8-tracks interface, and I used Ampeg head for bass signal. Lots of the
equipment was kindly provided by our friend Reza Danaei and we're really
grateful for that. These days we already have almost everything we need for
live gigs and future recordings, so we can start working on the new album soon.
What are you future plans?
B: We have begun writing again,
and are playing quite a bit right now. The eponymous album will be out on LP in
the next month or two through Manifest of Hate Creations from Germany.
A: Plans for closest future: find
a label to release the CD-version, create a new kick-ass album, play a couple
of festivals abroad.
Are there any countries you’re
interested in touring or performing in? Why?
B: We played Moscow, which was
pretty amazing for me. My missus is from Serbia, so it would be great to play
in the Balkans.
A: Czech Republic (I love the
country and the people), Norway, Sweden and Germany - true metal places. Greece
(to meet Varathron and Achilleas in person) and Israel (want to show the
country to the rest of the band).
W: Norway, US.
What bands would you like to
play alongside?
B: In a dream world, it would
be great to play with Varathron and Necromantia, because the Greek classics are
amazing. I finally got to see Mysticum and Varathron last year along with
Xibalba, Destroyer 666 and Blasphemy. That was an insane lineup. I saw that the
Misfits reformed for a couple of shows in the States. It'd be great to play
with Danzig.
A: Mayhem! Samael, Varathron, Napalm Death. Maybe Salem if they still play - they were amazing live in Tel-Aviv in 2002.
A: Mayhem! Samael, Varathron, Napalm Death. Maybe Salem if they still play - they were amazing live in Tel-Aviv in 2002.
W: Grave, Deicide, Samael,
Satyricon.
Any last words?
Any last words?
B: Go check out our album.
Thank you for the interview.
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