Interview with While Sun Ends, Progressive Post Death Metal Band from Italy
While
Sun Ends is an Progressive-Post Death Metal Band, hailing from Bergamo, Italy.
They’re Carlo Leone - Bass, Vocals, Enrico Brugali - Drums, Massimo Tedeschi -
Guitar, Diego Marchesi - Guitars, and Stefania Torino - Vocals (lead), Flute.
WSE gave us some information. Check it out.
Tell us about WHILE SUN ENDS?
WHILE
SUN ENDS is a prog/post death metal project, as some people like to define it:
we all are from Bergamo, and we like to make our Sunday mornings productive by
gathering together and playing the music we enjoy! Music is a passion to us,
first of all, and that’s why the sound has been changing and molded throughout
the years, following our –also- changing musical influences and experiences.
“Terminus”
is the last product of a path across musical evolution and a change of members
(Stefania Torino succeeding Serena Caracchi as lead singer): it’s the second
full length from the band, released on 26th august 2016. It has been
recorded in summer 2015, mixed @Studio73 (Ravenna) by Riccardo “Paso” Pasini,
and mastered @BoilerRoom (Chicago) by Collin Jordan. At the moment, we are
bringing this new album around Northern Italy, as we did in the past with our
other works.
What are lyrical themes of WHILE SUN ENDS?
We’re
aware that our lyrics are not very usual or easy-to-follow to a listener: we
have a tendency to skip the main themes being written in music, or
better, we like to examine main themes of human behavior in a more descriptive
and verbose than poetic way. Basically, we try to scratch the surface, and
observe what’s beyond the so-raped poetics of human passions. Nevertheless this
style, which may seem too roughly rational or pragmatic, we are really
passionate about these themes. “Terminus”, particularly, is a journey through
knowledge and self-consciousness: beginning from our limits in measuring
reality, we come up with a synthesis of our cycle of emotions around the
existential spiral, ending up to the previous –but deeper and wider- point of departure.
What are your influences?
Generally,
we keep our eyes wide-open and rely on our experience. We think about it and
try to build our music translating our own emotions, feelings and reasons into
lyrics and vibrations. We all are fond of art, particularly music, cinema,
paintings and photography, and these things influence us; plus, in the creative
process, we consider the “why you create” more important than the “what you
create”. Anyway, we are a metal band, and our musical influences lie their
roots in progressive rock ’70 and extreme metal. We love bands such as Opeth,
Katatonia, Novembre, In Flames or Genesis, Camel, Area, Banco del Mutuo
Soccorso… Well, we like lots of experimental artists, too, like Bjork, Manes,
Mike Patton, Sleepytime Gorilla Museum, Ephel Duath and a few others…
Who are Your Favorite Italian Metal Bands?
Italy
is full of really great metal bands! There are “older” metal bands such as
Novembre, Ephel Duath, In Tormentata Quiete (incredible underground band!),
Thee Maldoror Kollective, that are really awesome. Now, there is this band
called “Sunpocrisy”, with whom we shared the stage on more than one occasion
and… well, what they do is simply sublime. They’re a prog/post metal band
which began with death influences, creating shows in a unique way throughout
the years, using lasers, strobe lights, and gifting the public with great
atmospheres.
How did
you choose the cover artwork "Terminus"?
Well,
the Sun definitely represents the band, and conveys an idea of a compass
spreading around our name. Alpha crossing Omega, laying on the background,
calls to mind the main concept of the album: a journey in which starting and
ending points, somehow, are overlaid.
The
name of the album itself means “last stop”, but also, any means of transport,
after reaching its “Terminus”, comes back to the starting point of another
journey.
How
were the songs written?
Stefania:
when we meet up, someone shares his idea he came up with, and we try to work on
it, discuss it, and slowly build something out of it. Usually, before the
vocals are written down, the main frame of the song (with guitars and drums at
least) is already there.
Carlo
and I are the ones who write down all the lyrics. As said before, “Terminus”
isn’t very imaginative or graceful as a lyrical work: that’s because every song
is a product of a discussion based on a prearranged specific subject, which was
aimed to be nestled on the journey-like general concept of the album.
As I
entered the band when the album was already in the pipeline, it was not very
linear to integrate my work with the guys’: also, I still was the less
experienced in the band, so I guess I had to learn a little bit about them and
about their habits! My hope for the next project is to get the right space to
put in more of myself, and simplify the writing process of the vocals.
How did
the recording process go?
We
recorded all our parts in Diego’s (our guitarist) and in Enrico’s (our drummer)
studios with Riccardo “Paso” Pasini’s help; then we moved to Studio 73 in
Ravenna for guitar and bass re-amp and mix. It took us two weeks for this job,
and it was really incredible. Paso is a great sound engineer, and we were so
excited to work in Studio 73, since we knew about his experience and ideas: we appreciate
tons of albums recorded by him (the previous-mentioned Ephel Duath, Sunpocrisy,
In Tormentata Quiete…)… we couldn’t be but satisfied about “Terminus”’s result!
What
are your future plans?
At the
moment, as we said before, we are carrying “Terminus” around Northern Italy,
sharing the stage with very nice bands and meeting new public. Hopefully, we’ll
have some more lives around Italy with more bands, and, who knows, we could
manage to set a tour in some other country!
Also, we are eventually thinking about a new musical project, but it’s still smoldering J
Also, we are eventually thinking about a new musical project, but it’s still smoldering J
Are
there any countries you’re interested in touring or performing in? Why?
It
would be really nice to move to Germany to play with other bands from
Wooaaargh! We would like to play in France, Austria, Switzerland and other
European countries near Italy (it would be fantastic to end up in more exotic
places, tho! There seem to be some people appreciating us from the overseas).
Anyway, finding some stages in Nothern Europe –Norway and Sweden in particular-
would be a dream: we really love metal music from there.
Any
last words?
We’d
just like to thank BDP Metal for this nice interview, Riccardo Paso Pasini for
its great job, Wooaaargh, and anyone who supported us in the creation of the
album and in its diffusion.
See you
on stage!
While
Sun Ends:
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