Interview with Promethean
Promethean is Progressive
Symphonic Blackened Death Metal Band from Paris, France. They're Nicolas
Cardoso - (Vocals), Matthieu Cardoso - (Lead guitar), Gaëtan Marquer - (Rhythm
guitar), Dino Dieleman - (Bass), Axel Hurard - (Keyboards), and Leo Godart - (Drums).
Promethean gave us some information. Check it out.
Tell us about Promethean?
Promethean is a project that’s
been maturing in Leo’s (drums/composition) mind for a few years before becoming
a reality in the end of 2013 and the establishment of a stable line-up. The
band is now composed of Nico (vocals), Matti and Gaëtan (guitars), Dino (bass),
Axel (keyboards) and Leo.
We’re a symphonic death metal
band with a progressive mindset. We have released our debut four-track EP
“Aloades” the 9th of February, 2017.
What are the lyrical themes of
Promethean?
“Aloades” mainly deals with
Greek mythology, which offers a rich corpus of epic, dark, and vivid violent
tales that resonates with metal, especially the symphonic kind that can convey
this sense of grandiloquence.
The title track refers to the
twins Otos and Ephialtes, vainglorious giants that tried to abduct Hera and
Artemis but were ultimately condemned to an endless ordeal by Zeus: to dwell
enchained by snakes, back to back to a monumental column in the confines of
Tartarus, submitted to the never-ending cries of an owl…
On the other hand, the fourth
track “A Forbidden Symphony” is a sort of appetizer for what will be our debut
full-length album about the Lovecraftian mythos…
What are your influences?
We all come from different backgrounds,
but I think the appeal for profound, progressive and even technical music
unites us.
Main inspirations for the
project are, quite obviously, to be searched in the extreme symphonic metal
realm, namely Emperor, Septicflesh, Fleshgod Apocalypse or Ovid’s Withering;
but the classical influences are prominent (Prokofiev, Dvorak etc.) as well as
film or video game scores (Bloodborne).
How did you choose the cover
artwork for "Aloades"?
Graphic designer Thomas Lépine
was interested in the band’s mythological thematic; after some studies on the
Aloades’ myth he came up with his own vision of their punishment: the two
giants turned into stone and shackled amidst the ruins of an antic city in the
middle of an infinite desert…
We were struck by the force of
the composition and the tones of his work - there was no hesitation that it
would ultimately illustrate the EP.
How were the songs written?
Leo is the main composer. He
would usually start with a riff or a piano harmony and build the song from
here, trying to avoid ideas and progressions he would deem too simple or
agreed, which makes for a fairly complex song structure within each track.
The tunes were then properly
arranged by the whole band during rehearsal sessions (especially guitars and
bass fingering), but the core of the songs never needed any major change.
The orchestral parts were
adapted, extended and enriched with the help of Olivier Reucher from the
symphonic act Remember The Light.
How did the recording process
go?
The orchestrations and vocals
were recorded at Olivier Reucher’s home studio while the guitars and the bass
were done at the Axone Studio for the most part. Everything else was homemade
(drum programming, synths, additional bass lines etc.).
The mixing and mastering were
achieved at Tom Gadonna’s Axone Studio.
What are your future plans?
Right now we’re aiming to
promote our music in a live context as much as possible, and we’re working on
our debut full-length at the same time… The recording process should begin in
the fall.
Are there any countries you’re
interested in touring or performing in? Why?
Any country that would have us!
We’re very curious to meet the crowds all over the world.
What bands would you like to
play alongside?
We would love to see a huge
symphonic tour take place alongside aforementioned leaders of the genre, but it
will probably have to wait for now ahah!
Other than that, sharing the
stage with acts such as Xanthochroid or Deathcode Society would be a blast!
Any last words?
Thank you BDP Metal for the
review and questions!
Thank you everyone for the
incredible support and feedback on “Aloades” so far! Spread the word!
Promethean:
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